Chekhov: A study of the major stories and plays

Summary
This 1977 study of Chekhov examines his development and achievement as prose-writer and dramatist. Beverly Hahn draws attention to the range and depth of Chekhov's imagination, disputing any limited conception of him as a 'poet of twilight Russia'. By looking in detail at a number of the longer stories as well as at Three Sisters and The Cherry Orchard, she makes a strong case for viewing Chekhov as a humanist one actively interested in modern European theories and ideas, but finally committed to respecting and celebrating the unpredictability and variety of human lives. She also explores Chekhov's relationship with his Russian contemporaries and his importance to the modern European tradition. All quotations are in English, but Miss Hahn pays close attention to Chekhov's imagery as it relates to wider structural perspectives of his works. The book as a whole is intended both for professional students of literature and as a critical introduction to Chekhov's work.
Similar Books
-
The Semiotics of Theatre and Drama
by Keir Elam
-
Shakespeare's Festive Comedy
by Cesar Lombardi Barber
-
Reading Theatre
by Anne Ubersfeld
-
Adaptations
by Deborah Cartmell
-
Studying Plays
by Mick Wallis
-
Adaptations: From Text to Screen, Screen to Text
by Deborah Cartmell
-
Theatre: Collaborative Acts
by Ronald Wainscott
-
An Introduction To the Canterbury Tales: Fiction, Writing, Context
by Helen Phillips
-
An Introduction To the Canterbury Tales: Reading, Fiction, Context
by Helen Phillips
-
-
Signs of Performance: An Introduction to Twentieth-Century Theatre
by Colin Counsell
-
That Shakespeherian Rag Pb
by Terence Hawkes
-
New Wave Shakespeare on Screen
by Thomas Cartelli
-
King Lear
by Ann Thompson
-
Theatre Semiotics: Signs of Life
by Marvin A. Carlson
-
Shakespeare's Names (Oxford Shakespeare Topics
by Laurie Maguire
-
Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus
by Margreta de Grazia
-
Beckett Translating/Translating Beckett
by Alan W. Friedman
-
Stillness in Motion in the Seventeenth Century Theatre
by P.A. Skantze
-
Shakespeare, from Stage to Screen
by Sarah Hatchuel
-
English Drama: A Cultural History
by Simon Shepherd
-
-
Shakespeare and Social Dialogue: Dramatic Language and Elizabethan Letters
by Lynne Magnusson
-
Shakespeare and Classical Tragedy: The Influence of Seneca
by Robert S. Miola
-
Drama Translation and Theatre Practice
by Sabine Coelsch-Foisner
-
Strategies of Drama: The Experience of Form
by Oscar Lee Brownstein
-
-
The Language of Drama
by David Birch
-
The Semiotic Stage: Prague School Theater Theory
by Michael L. Quinn
-
-
-
Rethinking Folk Drama
by Steve Tillis
-
Languages of Theatre Shaped by Women
by Jane De Gay
-
Shakespeare: The Two Traditions
by Herbert R. Coursen
-
-
-
Shakespearean Films
by Donaldson
-
-
Ritual and Performativity: The Chorus in Old Comedy
by Anton Bierl
-
-
A Semiotic Study of Three Plays by Plínio Marcos
by Elzbieta Szoka
-
Dramatic Narrative: Racine's Récits
by Nina C. Ekstein
-
Broken Window: Beckett's Dramatic Perspective
by Jane Alison Hale
-
«Ein ungeheures Theater»: The Drama of the Sturm und Drang
by Jean McInnes
-
Técnicas de representación en Lope de Vega
by Teresa J. Kirschner
-
-