The Manifesta Decade: Debates on Contemporary Art Exhibitions And Biennials in Post-wall Europe

Summary
Manifesta, the first itinerant European Biennial for Contemporary Art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. The Manifesta Decade marks Manifesta's ten years of exhibits with original essays, unpublished images, and texts that not only document the different Manifesta exhibits but also examine the cultural, curatorial, and political terrain of the Europe from whichthey sprang.
Including contributions from philosophers, historians, and anthropologists, interviews with architect Rem Koolhaas and historian Jacques LeGoff, and essays by such curators and writers as Okwui Enwezor, Boris Groys, Maria Hlavajova, and Hans Ulrich Obrist, the collection traces the cultural and political developments of Europe in the 1990s. It reflects the debates incited by exhibitions such as Magiciens de la Terre, Documenta, and After the Wall and explores the changing roles of curators and artists in the new geo-political context. The issues discussed include the effect of communism's collapse on Eastern Europe, the role of Biennials in the context of globalization, and the ephemerality of exhibitions versus the permanence of the museum.
The book's second section traces the history o fManifesta, from its conceptual foundations and contributions to artistic practicesof the 1990s to the relationship of a roving Biennial to themes of multiculturalism, migration and diaspora. At a moment when biennials continue to proliferate worldwide, The Manifesta Decade takes Manifesta as a case study to look critically at the landscape from which new exhibition paradigms have emerged. The book's 100 images, both color and black and white, include unpublished installation shots of each Manifesta exhibition. Copublished with Roomade, Brussels, in collaboration with the International Foundation Manifesta, Amsterdam.
Similar Books
-
Art Deco 1910-1939
by Charlotte Benton
-
Small World
by Martin Parr
-
Conceptual Art
by Peter Osborne
-
Late Modern: The Visual Arts Since 1945
by Edward Lucie-Smith
-
Art Today /anglais
by Brandon Taylor
-
Modern Photography in Japan 1915-1940
by Ryuichi Kaneko
-
-
TokyoLife: Art and Design
by Ian Luna
-
African Art Now: Masterpieces from the Jean Pigozzi Collection
by André Magnin
-
Africa Remix: Contemporary Art of a Continent
by Jean-Hubert Martin
-
-
Gods and Heroes of the European Bronze Age
by Katie Demakopoulous
-
Art Nouveau: International and National Styles in Europe
by Jeremy Howard
-
Institutional Critique and After: Soccas Symposium Volume II
by Andrea Fraser
-
The Arts of Kashmir
by Pratapaditya Pal
-
Doris Duke - The Southeast Asian Art Collection
by Nancy Tingley
-
Sculptures: Africa, Asia, Oceania, Americas
by Musée du quai Branly
-
Creative Essence: Cleveland's Sense of Place
by Nina Freedlander Gibans
-
A Collecting Odyssey: The Alsdorf Collection of Indian and East Asian Art
by Pratapaditya Pal
-
Ceramics From The House Of Amphora 1890-1915
by Richard L. Scott
-
Body and the East: From the 1960s to the Present
by Slovenia) Moderna galerija (Ljubljana
-
-
Arrivals
by Various
-
The American Effect: Global Perspectives on the United States, 1990-2003
by Lawrence Rinder
-
Art of Indonesia
by Bambang Sumadio
-
-
Art Bridge: New York - Cologne - New York
by Bill Arning
-
-
-
Contemporary African Artists: Changing Tradition
by Wole Soyinka
-
Contemporary African Art: 5 Artists, Diverse Trends
by Dele Jegede
-
Indonesia: Discovery of the Past
by Pieter Ter Keurs
-
The Great Workshop: Pathways of Art in Europe,
by Roland Recht
-