Languages of Theatre Shaped by Women

Summary
The authors explore a range of different approaches to the languages of theatre, including translation and interpretation of the art form, along with languages, performance work, body language and gesture. Considered alongside the related social issues of race, class and dialect, the following questions
• What is the role of language in theatre today?
• Whose language is English; what other languages do women making theatre use?
• What does it mean to write about, photograph and video live performance?
• What is the future for women's theatre in an international context increasingly united by new technologies but divided by new issues of cultural diversity?
Goodman and de Gay analysis covers issues that are central to current courses in Theatre and Performance and Women's Studies. They assess the forms which women as theatre-makers have chosen to explore in the age of new technology, and look at some of the different definitions of 'theory' offered by theatre-makers and critics including Caryl Churchill, Hélène Cixous, Luce Irigiray and Julia Kristeva.
Similar Books
-
The Semiotics of Theatre and Drama
by Keir Elam
-
Shakespeare's Festive Comedy
by Cesar Lombardi Barber
-
Reading Theatre
by Anne Ubersfeld
-
Adaptations
by Deborah Cartmell
-
Studying Plays
by Mick Wallis
-
Adaptations: From Text to Screen, Screen to Text
by Deborah Cartmell
-
Theatre: Collaborative Acts
by Ronald Wainscott
-
An Introduction To the Canterbury Tales: Fiction, Writing, Context
by Helen Phillips
-
An Introduction To the Canterbury Tales: Reading, Fiction, Context
by Helen Phillips
-
-
Signs of Performance: An Introduction to Twentieth-Century Theatre
by Colin Counsell
-
That Shakespeherian Rag Pb
by Terence Hawkes
-
New Wave Shakespeare on Screen
by Thomas Cartelli
-
King Lear
by Ann Thompson
-
Theatre Semiotics: Signs of Life
by Marvin A. Carlson
-
Shakespeare's Names (Oxford Shakespeare Topics
by Laurie Maguire
-
Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus
by Margreta de Grazia
-
Beckett Translating/Translating Beckett
by Alan W. Friedman
-
Stillness in Motion in the Seventeenth Century Theatre
by P.A. Skantze
-
Shakespeare, from Stage to Screen
by Sarah Hatchuel
-
English Drama: A Cultural History
by Simon Shepherd
-
-
Shakespeare and Social Dialogue: Dramatic Language and Elizabethan Letters
by Lynne Magnusson
-
Shakespeare and Classical Tragedy: The Influence of Seneca
by Robert S. Miola
-
Drama Translation and Theatre Practice
by Sabine Coelsch-Foisner
-
Strategies of Drama: The Experience of Form
by Oscar Lee Brownstein
-
Chekhov: A study of the major stories and plays
by Beverly Hahn
-
-
The Language of Drama
by David Birch
-
The Semiotic Stage: Prague School Theater Theory
by Michael L. Quinn
-
-
-
Rethinking Folk Drama
by Steve Tillis
-
Shakespeare: The Two Traditions
by Herbert R. Coursen
-
-
-
Shakespearean Films
by Donaldson
-
-
Ritual and Performativity: The Chorus in Old Comedy
by Anton Bierl
-
-
A Semiotic Study of Three Plays by Plínio Marcos
by Elzbieta Szoka
-
Dramatic Narrative: Racine's Récits
by Nina C. Ekstein
-
Broken Window: Beckett's Dramatic Perspective
by Jane Alison Hale
-
«Ein ungeheures Theater»: The Drama of the Sturm und Drang
by Jean McInnes
-
Técnicas de representación en Lope de Vega
by Teresa J. Kirschner
-
-